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CIRCA 20:23

Hanne Lippard

Alfredo Jaar, Tonight No Poetry Will Serve

Tonight No Poetry Will Serve by Alfredo Jaar offers a powerful reflection on the limits of language and the role of creative expression in times of tragedy. A lament for today’s darkness and a call to find the words to confront these tragic hours, the bold new public intervention displays the arresting title of a poem by Adrienne Rich (1929–2012), a figure of inspiration for Jaar since the 1980s, who observed the limits of words in times of unthinkable violence: “no poetry can serve to mitigate such acts, they nullify language itself,” she wrote in 2011.

Throughout November 2023, Alfredo Jaar and CIRCA commissioned a series of poetic dialogues, curated by Vittoria de Franchis and Josef O’Connor, from international writers, thinkers and speakers. Giving voice to those who find themselves silenced or without words, the poems hope to achieve Rich’s ambition that creative expression can reconcile conflicting realities.

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Here's it by Hanne Lippard

When does an individual become a body
When does a body disembody
When this a body does some body
When does it really really hurt? 

Pain is individual.
A cut made in the middle.
Male thoughts.
Air mail.
Three days later, upon arrival.
A package.
Nothing but.
Hear, he said, hear is my ear.
It is. And her.
What is there to say about her
What did she say
Herself
She
Said, nothing.
At least nothing audible to the naked ear.
At least not something, or anything, he could hear
When does an ear stop learning
When does a body stop leaning
When does life leave life
When does love live life
When does it feel like time left
Or the exact opposite.
Pain is a stain on any complexion.
Does somebody care about that body
Or is that body just somebody
What does a body to somebodies
When is a body just a burden
What do birds care
What is that burden for a bird
What do others think
What do others thoughts think
What body cares about its own
Or those.
Them, never?
Here – he said, to her.
Female thoughts. 

Her ears were present, but they did not listen.

 



Hanne Lippard
(NO/DE), born in 1984 in Milton Keynes, GB, lives and works in Berlin. Lippard’s practice explores the voice as a medium. Her education in graphic design informs how language can be visually powerful; her texts are visual, rhythmic, and performative rather than purely informative, and her work is conveyed through a variety of disciplines, predominantly sound-installations and performance.

Her most recent performances and exhibitions include The Myths and Realities of Achieving Financial Independence at CCA, Berlin (2022) Le langage est une peau, FRAC Lorraine, Metz (2021) Contact, Mood, Share at MHKA, Antwerp, (2021) X, Frac des Pays de la Loire, Carquefou (2020) RIBOCA2, Riga (2020) ART 4 ALL, Hamburger Bahnhof, (2020) Our present, Museum fur Gegenwartskunst, Siegen (2020) Parades for FIAC, Palais de la Découverte (2019), Art Night London (2019) Goethe in the Skyways, Minneapolis, (2019), n.b.k. Neuer Berliner Kunstverein, Berlin, (2019) Nam June Paik Award 2018, Westfälischer Kunstverein, Münster (2018), Ulyd, Kunsthall Stavanger, Stavanger and FriArt, Friboug (2018) Lippard has recently been awarded with the Preis der Nationalgalerie for 2024

Biography

Alfredo Jaar

Alfredo Jaar is one of the most influential artists of the past four decades, internationally recognised for a practice that confronts political violence, humanitarian crises and the ethics of representation. Working across installation, photography, film, architecture and public space, he has consistently asked how art can respond to injustice while preserving the dignity of those whose stories are too often overlooked or erased.

Born in Santiago, Chile, and based in New York, Jaar emerged during the final years of the Pinochet dictatorship and developed a body of work that examines the relationship between images, power and public consciousness. From his landmark Rwanda Project to iconic public interventions such as A Logo for America and I Can’t Go On, I’ll Go On, Jaar has challenged audiences to consider not only what is visible, but also what remains unseen, unheard or deliberately obscured. Throughout his career, he has demonstrated a profound belief in art’s capacity to create spaces for reflection, empathy and civic responsibility.

In 2023, Jaar collaborated with CIRCA on Tonight No Poetry Will Serve, a major public intervention presented across London, Berlin, Milan, Seoul and Tokyo. Conceived in the weeks following the attacks of 7 October and the devastating humanitarian crisis that unfolded in Gaza, the work reflected on the limits of language in the face of human suffering. Taking its title from a poem by Adrienne Rich, the commission emerged from a growing sense that words alone could not adequately respond to the scale of grief, violence and despair unfolding before the world, while creating space for poets, writers and artists to contribute their own acts of witness and reflection. Released alongside a fundraising initiative supporting Médecins Sans Frontières/Doctors Without Borders, the project reflected Jaar’s enduring belief that art and culture remain essential spaces for empathy, moral reflection and resistance.

A recipient of the MacArthur Fellowship, Guggenheim Fellowship, Hiroshima Art Prize and Hasselblad Award, Jaar has participated in the Venice Biennale, São Paulo Biennial and Documenta, while realising more than seventy-five public interventions worldwide. His work is held in the collections of institutions including MoMA, the Guggenheim Museum, Tate, Centre Pompidou, Museo Reina Sofía and M+ Hong Kong. Through a practice that combines conceptual rigour with profound humanitarian concern, Alfredo Jaar continues to challenge how we see, understand and respond to the world around us.

 

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