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CIRCA 20:23

Eileen Myles

Alfredo Jaar, Tonight No Poetry Will Serve

Tonight No Poetry Will Serve by Alfredo Jaar offers a powerful reflection on the limits of language and the role of creative expression in times of tragedy. A lament for today’s darkness and a call to find the words to confront these tragic hours, the bold new public intervention displays the arresting title of a poem by Adrienne Rich (1929–2012), a figure of inspiration for Jaar since the 1980s, who observed the limits of words in times of unthinkable violence: “no poetry can serve to mitigate such acts, they nullify language itself,” she wrote in 2011.

Throughout November 2023, Alfredo Jaar and CIRCA commissioned a series of poetic dialogues, curated by Vittoria de Franchis and Josef O’Connor, from international writers, thinkers and speakers. Giving voice to those who find themselves silenced or without words, the poems hope to achieve Rich’s ambition that creative expression can reconcile conflicting realities.

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Films

Poem

THEM (Palestinian) by Eileen Myles

They had

beds &

rooms

they had

socks &

babies

they had fire

they had a

toilet

they had a

book

they had

school

they had mous

taches &

cunts &

bellies

they had

feet &

toenails & 

arguments &

friends

they had

hot soup

they had

hunger

laughter

pain

cellphones

they had kids

they missed

each other

they came

home

 

I’m not

sure about

this

but he

was killed

in his 

house

with his

family. I

tie my

shoes.

I’m going to

the gym.

Through

this horrific

experience.

I’ll bring

my recyclables

down

 

contacting

people

try every

few 

minutes

to call people

from Gaza. 

My toe hurts.

I struck

it against

a chair

in Tempe

Many 

medical 

journals

are writing 

about genocide

in Gaza

& think

it’s okay

I have nothing

for the 

baby. I randomly

sob

we’re not

seeing

the support

from the medical

community

they ignore

the calls

they don’t 

say Israel

 

he has died

they don’t 

say he

has been

killed.

 

I can’t find

my head

phones

or the band

for the 

clamshell

 

I make tea

tossing

cards into

an imaginary

future

in which

my handwriting

& my

political

thoughts

are con

sidered

 

this is prose

war is

prose

the coldness

of my 

pastimes

is poetry

my safety

 

the what

has been

torn

away from

my fellow

my neighbors

my friends

is Palestine

is poetry

 

poetry is home

& the loss

of it. It being robbed

from a 

child

 

or the children

of the nakba

who 75 years

years

later as

an old man

walks south

from rubble

home 

streaming

tears

 

tears are home

 

(continues…)

 


 

Eileen Myles (they/them)  is a poet, novelist & art journalist. Their most recent books are Pathetic Literature (an anthology) & a “Working Life” (poems). They live in NYC & Marfa TX.

Biography

Alfredo Jaar

Alfredo Jaar is one of the most influential artists of the past four decades, internationally recognised for a practice that confronts political violence, humanitarian crises and the ethics of representation. Working across installation, photography, film, architecture and public space, he has consistently asked how art can respond to injustice while preserving the dignity of those whose stories are too often overlooked or erased.

Born in Santiago, Chile, and based in New York, Jaar emerged during the final years of the Pinochet dictatorship and developed a body of work that examines the relationship between images, power and public consciousness. From his landmark Rwanda Project to iconic public interventions such as A Logo for America and I Can’t Go On, I’ll Go On, Jaar has challenged audiences to consider not only what is visible, but also what remains unseen, unheard or deliberately obscured. Throughout his career, he has demonstrated a profound belief in art’s capacity to create spaces for reflection, empathy and civic responsibility.

In 2023, Jaar collaborated with CIRCA on Tonight No Poetry Will Serve, a major public intervention presented across London, Berlin, Milan, Seoul and Tokyo. Conceived in the weeks following the attacks of 7 October and the devastating humanitarian crisis that unfolded in Gaza, the work reflected on the limits of language in the face of human suffering. Taking its title from a poem by Adrienne Rich, the commission emerged from a growing sense that words alone could not adequately respond to the scale of grief, violence and despair unfolding before the world, while creating space for poets, writers and artists to contribute their own acts of witness and reflection. Released alongside a fundraising initiative supporting Médecins Sans Frontières/Doctors Without Borders, the project reflected Jaar’s enduring belief that art and culture remain essential spaces for empathy, moral reflection and resistance.

A recipient of the MacArthur Fellowship, Guggenheim Fellowship, Hiroshima Art Prize and Hasselblad Award, Jaar has participated in the Venice Biennale, São Paulo Biennial and Documenta, while realising more than seventy-five public interventions worldwide. His work is held in the collections of institutions including MoMA, the Guggenheim Museum, Tate, Centre Pompidou, Museo Reina Sofía and M+ Hong Kong. Through a practice that combines conceptual rigour with profound humanitarian concern, Alfredo Jaar continues to challenge how we see, understand and respond to the world around us.

 

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