EXHIBITION
FOUR VISIONS FOR A HOPEFUL FUTURE
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For CIRCA 20:21, Emma Talbot presented a new body of four animated films in collaboration with Whitechapel Gallery, Collezione Maramotti and the Max Mara Art Prize for Women.
Following a woman at the gateway between the old world and a new world to be made, Talbot’s ‘Four Visions for a Hopeful Future’ tells the story of a protagonist in search of answers to guide both her own journey and the development of society to a spiritual and political rebirth, on the iconic Piccadilly Lights screen.
Coinciding with International Women’s Day (8 March), Talbot’s animations represent our current moment as a universal space of fluid nature, punctuated with direct appeals to the viewer’s emotional reasoning, where past sadness can be transcended. Quoting Indian novelist Arundhati Roy, Talbot’s work utilizes the giant display as “a portal, a gateway between one world and the next” through which we are passing with the changing of seasons. Drawing on a history of cultural flourishing following historic pandemics, as the Black Death preceded the Renaissance, Talbot imagines a world in becoming, unshackled from the darkness of the past and limitations of societies that came before.