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Tony Cokes makes politically resonant works in a visual language all his own. Since the 1980s, his work has surfaced the latent ideologies of popular culture, confronting issues of structural racism, power, visibility, and the defiant pleasures still found under capitalism. Cokes samples and remixes fragments of our media landscape to subvert its governing codes. His tightly choreographed video essays layer found text over vibrant colors and dissonant soundtracks, exploiting the gaps between sensory regimes to heighten and complicate the reading experience. Quoted passages from current events or critical theory take on a new tenor when set to music, resulting in propulsive animations that appeal to the mind and body alike. Cokes’ immersive works make text feel visceral and let rhythm spur new insight: as his art attests, “it is possible to dance and think at the same time.”

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Lynton Talbot In Conversation With Tony Cokes

Written by Lynton Talbot

Prior to this meeting I spent time with the 4 works for the Piccadilly site and built some reflections around each one individually. Each one leads to a set of questions that I offered Tony Cokes in advance of our conversation. I wanted to be responsive to the work itself, watching, listening, reading and writing at once, processing things and articulating my thoughts immediately and instinctively. These notes and questions, that I sent to Tony Cokes, became a point of departure for the conversation transcribed below. We spoke for almost 2 hours using Zoom on the 18th of January, 2021. 

Lynton Talbot Hi, Tony. How are you? How’s things where you are?

Tony Cokes All right. How are you? It’s probably not the worst, but probably not the best either. I mean, the situation with Covid is just a disaster of non-planning. It’s not even really considered. The government think it’s going to go away on its own. No real strategies in place. Its’s just chaotic. You would want to impute a kind of will to this disaster in a certain sense, but even in terms of the discourse, there doesn’t seem to be that kind of desire. There’s no thinking about what the actual ramifications are, the government are not prepared for the obvious problems that existed before, that are now thrown into hyperbole. Nobody seems to have an address to them. So, it’s really, really frustrating.

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