Rianna Jade Parker in Conversation With Laure Prouvost
Turner Prize winning conceptual artist Laure Prouvost talks to critic and curator Rianna Jade Parker on the eve of her October commission ‘No More Front Tears’ launching for CIRCA 2022. Connecting over Zoom – with Laure in her studio in Antwerp, Brussels and Rianna in Kingston, Jamaica – they discuss the medium of public art, migration memories and Laure’s enduring fascination with the octopus.
Rianna Jade Parker: With your new video work No More Front Tears for CIRCA, do you feel like you’re responding to a personal or global situation?
Laure Prouvost: It’s a bit of both, I mean, the screen, the scale and the size and the directness of it. I wanted something that could be as direct as it’s meant to be. I didn’t want to subvert what it’s made for. But to use it as a billboard, as propaganda, as adverts in the way advertising does. And this video, the whole thing talks a lot about migrations, movement, human, nonhuman, other than humans.