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Kandis Williams is an American artist, writer, publisher and educator whose practice examines the intersections of race, power, history and representation. Working across collage, film, performance, publishing and research, she creates frameworks that bring together critical theory, lived experience and visual culture, exploring how social, political and historical narratives are constructed, transmitted and challenged.

Central to Williams’ practice is Cassandra Press, the artist-run publishing and educational platform she founded in 2016. Originally conceived as a space for disseminating texts on race, feminism, aesthetics and Black scholarship, Cassandra Press has since evolved into an influential multidisciplinary platform encompassing publishing, exhibitions, classrooms, workshops and collaborative research. Through its activities, Cassandra Press has become an important site for critical dialogue, collective learning and the circulation of ideas across contemporary culture.

In 2022, Williams collaborated with CIRCA and Pompeii Commitment. Archaeological Matters on A Monument A Ruin, a landmark public commission that connected ancient inscriptions discovered in Pompeii with contemporary protest graffiti and questions of political agency in public space. Appearing across public screens in London, Melbourne, Seoul and Tokyo, the project transformed years of archaeological research into a global conversation about monuments, memory and the voices that endure through history. The commission reflected a shared commitment between Williams and CIRCA to using public space as a platform for critical reflection, collective inquiry and new forms of cultural exchange.

Williams has exhibited internationally and participated in major institutional exhibitions including The Whitney Biennial, the Hammer Museum, Institute of Contemporary Art Philadelphia, and Kunsthalle Basel, among others. Through her work as both artist and educator, she continues to challenge conventional structures of knowledge while creating new spaces for dialogue, learning and social transformation.

 

Circa Commissions

Cassandra Press, A Monument A Ruin

What remains when a civilisation disappears? For centuries, monuments have been understood as instruments of permanence. They are erected to commemorate victories, preserve histories and project authority into the future. Yet history repeatedly demonstrates that monuments are never fixed. They are reinterpreted, contested, vandalised, removed and rebuilt. Their meanings shift as societies change around them. Every monument contains the possibility of becoming a ruin. Every ruin contains the possibility of becoming a monument once again. These questions sit at the heart of A Monument A Ruin, a new commission by Cassandra Press, the publishing and educational platform founded…

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Cassandra Press: A Monument A Ruin

Written by Stella Bottai

In 2021, artist Kandis Williams – founder and editor-at-large of Cassandra Press, an artist-run publishing and educational platform producing lo-fi printed matter, classrooms, projects, artist books, and exhibitions – was invited to participate in Pompeii CommitmentArchaeological Matters, the first contemporary art programme commissioned by the Archaeological Park of Pompeii in Italy. Williams proposed to begin new research on the theme of Pompeian programmata – the political propaganda graffiti –, particularly to investigate possible parallels with the politics of representation and strategies of social resistance at stake within contemporary democracies, in particular in the United States.

As part of her research, Williams met with Pompeii’s former Director and archaeologist Prof. Antonio Varone, responsible for the indexation and study of all of the Pompeian painted inscriptions, to address questions around Pompeii’s localised history as a provincial town and Roman colony, and how its electoral propaganda through the use of graffiti may possibly speak to more universal questions relating to the political agency, voice and representation of socially oppressed categories in today’s Western societies.

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