Vivienne Westwood: I have a plan 2 save the world. Capitalism is a war economy + war is the biggest polluter, therefore Stop War + change economy 2 fair distribution of wealth at the same time: NO MANS LAND. Let’s be clear, U + I can’t stop war just like that. But we can stop arms production + that would halt climate change cc + financial Cra$h. Long term this will stop war.

April 8th is my 80th birthday. Please read the Manifesto + Diaries + follow the playing cards 2 find out how life changing the new economy will be. Read over + again 2 realize how simple + radical the plan is, then U will change your pattern of life + by talking U will support me in the fight.

One day soon U will say the right thing 2 the right person at the right time make a difference. Put this in your features + columns, + on social media – as journalists U could become activists. I have always combined fashion with activism: the one helps the other. Maybe fashion can Stop War.

‘Buy Less Choose Well Make it Last’ Don’t buy a bomb!

Follow me on climaterevolution.co.uk. ‘Get a life!’.

Vivienne Westwood (born 1941) has been at the epicentre of British fashion since she began selling her punk-inspired designs in Malcom McLaren’s influential Kings Road store, Sex, in the 1970s.

The Dame of the British Empire revolutionised what is deemed appropriate to wear in public. Indeed, it was she who first introduced bondage trousers and other aspects of BDSM, along with safety pins and chains to the fashion mainstream. Her use of 17th and 18th century cutting techniques, especially the radical cutting lines she developed for men’s trousers, continue to be used and emulated today.

Westwood’s first runway presentation titled Pirates was staged in 1981. She has since gone on to create collections titled Savage, Buffalo Girls, New Romantics and The Pagan Years.

An activist by conscience, Westwood often litters her designs with slogans and other political calls to action, though they are no less beautiful for it. Westwood’s primary political concerns have shifted over the years; she is now predominately an activist for climate change, nuclear disarmament and civil rights, especially that of freedom of speech. “I make the great claim for my manifesto that it penetrates to the root of the human predicament and offers the underlying solution. We have a choice to become more cultivated, and therefore more human; or by not choosing, to be the destructive and self-destroying animal, the victim of our own cleverness. To be or not to be…” she wrote in a manifesto entitled Active Resistance to Propaganda.

Westwood studied at the Harrow School of Art and the University of Westminster, taking courses in fashion and silver-smithing, but left after one term. “I didn’t know how a working-class girl like me could possibly make a living in the art world,” she said. After taking up a job in a factory, then training to be an educator, she became a primary school teacher. During this period, she also created her own jewellery, which she would sell at a stall on London’s Portobello Road.

Vivienne Westwood (born April 8, 1941, Glossop, Derbyshire, England—died December 29, 2022, London) was a British fashion designer known for her provocative clothing. With her partner, Malcolm McLaren, she extended the influence of the 1970s punk music movement into fashion.

Westwood’s “mini-crini” design—a thigh-grazing crinoline produced in both cotton and tweed that debuted as part of her spring-summer 1985 collection—marked a turning point. For the next two decades she created collections that took inspiration from classical sources, notably the paintings of Jean-Honoré Fragonard, François Boucher, and Thomas Gainsborough, as well as historical British dress, including the 19th-century bustle, which Westwood incorporated under elaborate knitwear dresses and tartan miniskirts.

Independently, Westwood built her own eponymous mini fashion empire, operating numerous boutiques and producing two menswear and three women’s wear collections annually as well as bridal clothes, shoes, hosiery, eyewear, scarves, ties, knitwear, cosmetics, and perfumes. On April 1, 2004, a retrospective devoted to her creations opened at the Victoria and Albert Museum in London. “Vivienne Westwood: 34 Years in Fashion” was the largest exhibition the museum had ever dedicated to a British designer. She was made an Officer of the Order of the British Empire (OBE) in 1992 and advanced to Dame Commander of the Order of the British Empire (DBE) in 2006.