Bold new video works by five artists of the moment living or working in London will take over the world’s largest public screens this July in London, Seoul and Tokyo. Curated by Sir Norman Rosenthal, ‘LONDON ZEITGEIST’ comprised of five independent films by Larry Achiampong, Alvaro Barrington, Matt Copson, artist duo Hannah Quinlan and Rosie Hastings, together forming a bold and comprehensive showcase of the most promising artists within a generation to emerge from London. 

This group exhibition adopts its title from Rosenthal’s 1982 exhibition ‘Zeitgeist’ that was held in Berlin’s Martin-Gropius-Bau almost forty years ago, and which was arguably one of the most historically significant global painting surveys of the 20th century, bringing together 45 of the world’s most driven and symbolically heroic artists of the moment. Rosenthal’s unwavering commitment and capacity to embolden the great talent of the time has become a defining characteristic of his career. In 1981, Rosenthal introduced artists such as Baselitz, Kiefer, Polke and Richter to an audience beyond Germany in ‘A New Spirit In Painting’ and helped launch the careers of  Damien Hirst, Tracey Emin, Sarah Lucas and many others with ‘Sensation’ in 1997 at the Royal Academy of Art in London:

“That complex German word “Zeitgeist” (Time/Spirit) that more and more has entered the English language – just like “Kindergarten” once did (!) – naturally relates to place as well as time. Each of the four young artists chosen I believe address these issues subjectively, inevitably, sometimes obliquely, yet each in a “Spectacular” and “Beautiful” way onto the iconic Piccadilly Lights screen. They then are transmitted to the other side of the globe. They are pictures both of issues and fantasies that obsess four individual artists living and working in London, forever a huge urban national centre, and that hopefully too will touch audiences around the world.” – Sir Norman Rosenthal

The thing that has excited me about being a part of this project is not just the opportunity to show something outside, which, where art is concerned, I believe has a stronger traction in getting more people who are usually excluded, involved with art. But the challenging process of storytelling both through these gigantic screens, to bring something to the table that means something, and will hopefully connect with people. -Larry Achiampong

Drawing on his Ghanaian roots, Larry Achiampong’s (b.1984) projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity. With the expansion and sharing of information via the Internet, the idea of a one- size-fits-all version of history, as previously dictated, continues to be eradicated. Achiampong crate-digs the vaults of history, and splices audible and visual qualities of the personal and interpersonal archives offering multiple positions revealing the socio-political contradictions in contemporary society. Achiampong’s works examine his communal and personal heritage – in particular, the intersection between pop culture and the postcolonial position, using performance to investigate ‘the self’ as a fiction, devising alter-egos to point at divided selves.

Larry Achiampong lives and works in London and Essex, UK.