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CIRCA:

The process of cutting-out and re-placing images and texts is frequently employed in your work, what draws you to this act of making?

EMMA TALBOT:

It’s such a detailed process, the way I make animation is very slow compared to anything else I make, so it can feel labour intensive. But I really like the effect of immediacy in the images cut out of my drawings, and the way the space is built, like a collage. The potential of visual invention in animation really entices me. I like to enhance materialities – using metallic paint, photographing the drawings under a light source, using hand-made paper and so on.