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CIRCA:

Your work beautifully and very magically blends past, present and future, for example placing primordial like forms and figures into seemingly modern scenes. Time is rarely fixed in your works. How does this relate to your understanding of our contemporary moment?

EMMA TALBOT:

The contemporary moment is always shifting, it isn’t fixed. In the last year, more than ever, we’ve seen how volatile and precarious things can be. Our continuum is the thoughts in our minds, narrating our experiences, consciously and unconsciously. Time is elastic. I’m interested in the ways the past can offer forgotten knowledge and how the future is projected.