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Episode 28
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[December 28th 2020]

The erotics relies again on slipping across divides like living/dead, waking/sleeping. It also relies on the cheeky art of collapsing the boundary between “real and imagined thought” which Peake notes (the ‘true memory’ belongs to a fictional character). Tower’s text, like Peake’s films, reaches in two directions, in and out, overcoming the spaces between two subjectivities in an act of erotic union. Wells Tower – whose own name evokes this sense of reaching out in two directions, deep into the earth like a well, up to the sky like a tower, as the dancers will do in Peake’s December