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Episode 24
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[December 24th 2020]

to be considered by a filmmaker like Eddie Peake when he slickly and decidedly takes apart the systems of narrative filmmaking, anatomises ‘dance’, and picks apart ‘time’? Though Peake is keen to stress that his latest work doesn’t explicitly contain “any reference to our current state”, the ways in which he overcomes the type of criticism that D’Ancona and Kakutani level against Derrida’s followers is quintessential 2020: he does it by reconsidering ‘screens’ as, rather than ‘barriers’, something more like ‘conduits’. In the age of video-chat Christmases and normalised paradoxes like “social distance”, Peake explores how meeting and penetrating various