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Episode 18
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[December 18th 2020]

films themselves are challenging, conceptual, weird. The filmmaker enters the frame and you see his camera. The “actors” break “character”, and the whole thing seems to deconstruct itself, showing its processes. It could be argued that, in taking place in front of a green screen that is yet to have a CGI background projected onto it in post-production (as green screens normally do) the entire film itself exists ‘as process’, in a zone of endless and endlessly unrealised potential, ‘any space whatever’ and also decidedly ‘no-space’. Because of these facts, and because they will be broadcast in such a high-profile