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CIRCA:
How has making a work centred on a depopulated landscape differed from your previous works?

SOJUNG JUN:
On the surface, this work may look quite different from my previous works as it is full of landscapes. However, what carries through is my attention to—and my artistic practices on —voices, values, and landscapes that have been overlooked by acceleration and excess (or entropy) we experience today.
In addition, similar to landscape theories’ belief that everyday sceneries, even the beautiful landscapes on postcards are intrinsically linked to the power structures of capitalist society, I am interested in reading the present from the aesthetic and political contexts overlaid on a landscape.